Showing posts with label literary fiction. Show all posts
Showing posts with label literary fiction. Show all posts

Sunday, February 18, 2018

Book 1 of 2018


I read some short fiction by Bell back in the 80s--I believe in the Best American Short Stories series? The stories were of an obvious quality, so I wanted to read his more dense work, and of course there was All Souls' Rising...a novel with some substantial accolades and strong sales for literary fiction, and which I purchased in a thick quality paperback.

But several in-person interactions with the author proved him to be such an irredeemable arsehole--we're talking sexist and narcissistic and borderline sociopathic behavior--that I returned my purchased copy of that novel without reading it. I usually do my best to separate the art from the artist, but in his case I thought "fuck that guy and his novels!"

But still, I imagine some day I'll read the Haitian trilogy because the era and the history fascinate me, and as many writers and artists have proven over the years, one can be a dickhead and still create lasting works of merit.

While thinking about re-purchasing and trying All Souls' Rising, I noted Bell had published a shorter book with a tantalizing blurb about shamanism and entheogens in the modern Southwest. I thought I would try this first and see.

Bell I imagine read some Terrance McKenna or Dan Pinchbeck and scored some online mescaline powder or psilocybin spores, or maybe he took a ride on the salvia divinorum express and got woke to the thin membrane separating reality from Reality. The forgotten youthful proclivities of his generation came back--he re-read Castaneda and after binge-watching Breaking Bad one weekend Behind the Moon popped out of his aching skull.

The novel is pretty good. The way the alternate realities bleed together and coexist is done with technical skill and efficiency. The characters are confronted by layers of consciousness and reality and dreamworld as the post- or hyper- modern becomes fractured in a way that allows the eternal to bleed through.

But is Behind the Moon better than the books and authors linked and mentioned above? Is this novel capturing something happening in the continuing dawning of Aquarius? Is it exploring new understandings of the perennial philosophy or the necessity of a return to the sacred?

No. I have re-read Castaneda, and McKenna, and Pinchbeck. I found nothing worth the trouble of re-reading in Behind the Moon. But it may lead you to fruitful research if you fall down its bear-haunted cave.





Sunday, May 20, 2012

Book #15

Nobel Laureate for Physics Michael Beard is one of the least pleasant protagonists I've encountered. He's a glutton, he's self-centered, he's arrogant, he's devious. He rides on an early achievement and uses it to move from sinecure to sinecure, enjoying a rather lavish life style. He cheats on his spouses and on his lovers. He covers up a murder and steals the work of a colleague in order to get wealthy from patents involving synthetic photosynthesis--while all along caring not a whit for the environment. The novel is peculiarly episodic, and feels more like three novellas stitched together than a cohesive fiction. As always, McKewan's prose is gorgeous and pulls you along even though the work is not up to the standard of Atonement. I thought the same thing about Saturday. McKewan must have read (re-read) Confederacy of Dunces recently--this is the same type of satire, minus the belly laughs. But Beard gets his comeuppance, which provides a measure of satisfaction. I'm a bit puzzled as to what McKewan hopes to skewer in this satire. Environmental scientists? Complacent bastards coasting through life? The current state of Western civilization? The biggest point of Solar seems to be that assholes are a clean, renewable resource.