Showing posts with label Updike. Show all posts
Showing posts with label Updike. Show all posts

Monday, August 13, 2007

Frank Burns at Rest



Gore Vidal, in "Rabbit's Own Burrow" (The Last Empire: Essays 1992-2000) lays upside the narrow head of John Updike a most painful literary bitch-slapping:

There is nothing, sad to say, surprising in Updike's ignorance of history and politics and of people unlike himself; in this, he is a standard American and so a typical citizen of what Vice-President Agnew once called the greatest nation in the country. But Updike has literary ambitions as well as most of the skills of a popular writer, except, finally, the essential one without which nothing can ever come together to any useful end as literature, empathy. He is forever stuck in a psychic Shillington-Ipswich-New York world where everything outside his familiar round is unreal. Because of this lack of imagination, he can't really do much even with the characters that he does have some feeling for because they exist in social, not to mention historic, contexts that he lacks the sympathy--to use the simplest word--to make real.


Rabbit at Rest
is vacuous in the extreme. There are pleasurable moments, mostly moments of nostalgia experienced as characters live through memorable events (as in: oh yeah, I remember the first shuttle disaster), and there are passages of quality writing. When Harry Angstrom and his granddaughter capsize a sunfish sailboat and Harry is having a heart attack while unable to locate her, Updike's prose takes on an uncharacteristic urgency. But such moments are few and far between.

Rabbit is an amoral and ultimately uninteresting knucklehead whose opinions are foolish, whose behavior is boorish, and whose judgments of others come from some mysterious and entirely unwarranted belief in his own exceptionalism. I slogged through these four novels merely to get a portrait of ugly Americanism at its worst? I suppose there's some value in recording for posterity our societal tendency to exhibit inadequate meta-cognitive skills, our ethical oversimplifications and shallow self-justifications, and our patented gift for sloth and self-destructive consumptive behaviors. But fuck these books. Vidal was right; Updike is a hack, and this is basically a novel about Archie Bunker or Frank Burns. Updike should, however, revisit the series to include a final volume: Rabbit is President.

Monday, April 30, 2007

if you carried all the misery you've seen



It took me forever to finish Rabbit is Rich. Not because the book is bad, but I couldn't settle into it somehow. Updike's third volume takes Harry Angstrom into successful middle age and all that the American Dream entails: a house, a reprobate teenage son, country club golf, wife-swapping, and anal sex.

The soundtrack is disco, the malaise Carter's, the Iranians hold hostages at the American embassy. Rabbit is wealthy beyond his skills or efforts because of his wife's family business, and yet he remains restless, distracted by bourgeois concerns and a battle of wills with his son, whose behavior mirrors Angstrom's own youthful mistakes. Life accelerates beyond all comfortable reckoning.

Thursday, February 22, 2007

#9



Rabbit Redux is, to quote James Marshall Hendrix, "a frustratin' mess." Instead of running at the end of book one Rabbit returns to Janice and makes a go of the American Dream: bland suburban house, bland alienation from labor in a factory, an increasingly narrow-minded small-town PA conservatism. He grows fat and impotent, his wife ditches him for a Greek car salesman, and Rabbit is off to the races. Silly Rabbit, such tricks are for kids! Drugs, loose teenagers, radical blacks, pimps--what doesn't Rabbit do in a mere 350 pages? There are men on the moon, York PA suffers racial violence, Ted Kennedy drives his car off a bridge, Viet Nam and Nixon. Sometimes the novel's so current it's scary, as characters debate fighting the Viet Cong over there so we don't have to fight them over here, etc.* And yet many of the characters are embarrassing stereotypes and the action often left me incredulous.

Though "a frustratin' mess," Rabbit Redux is also magnificent. Like the country and time period it documents, Updike's book at once exceeds one's wildest dreams and seems to fall far short of an even greater potential. The perfect note, I'd say.

* "We have all been here before," to quote CSN&Y