Sunday, January 22, 2017


A couple years back I read an interesting article in Harper's about some dude who was using ancient Greek tragedies to help soldiers with PTSD and addicts and communities of color following tragedies.

Last night we had the opportunity to see one here in Baltimore. Antigone in Ferguson was necessary medicine for a community still suffering following the Uprising. Paul Giamatti went deep and when I used the restroom at the end of the show he was in there bawling following his powerhouse performance. The discussion afterward was potent and honest, though a few speakers took too much time tooting their own horns. The panelists were wise and compassionate (even towards a poor young soul whose heart was in the right place but whose exasperation and "exhaustion" at having these conversations over and over was handled with care). And local activists and artists like Sonja Sohn and Adam Jackson and Kwame Rose and D. Watkins were in-house.

(sidenote: When we left the auditorium Rose and Sohn were outside. I thanked Mr. Rose for opening eloquently for Bernie Sanders at a rally at Royal Farm Arena last year, and Sohn yelled "Yes, if it had been Bernie we wouldn't be dealing with ANY of this BULLSHIT." We'd met Sohn at a Heather Mizeur event at Black Olive 2 years back).

What we need in the US is a Truth and Reconciliation Commission, much like South Africa had after Apartheid. We need to bare our souls and concerns and guilts and fears in public, focused on ways to heal--otherwise we'll continue refighting the same battles. Because it is unlikely our dysfunctional public institutions will give us the opportunity to air grievances and mea culpas, the arts can help. Kudos to Bryan Doerries and his team for bringing Antigone in Ferguson to B'more.